Alice in Wonderland

• Size approx 14" from head to feet
• officially licensed Disney plush doll

Alice In Wonderland - The Classic by Lewis CarrollSource of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without! moral or sense.

For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie CoulterTumble down the rabbit hole with Alice for a fantastical new adventure from Walt Disney Pictures and Tim Burton. Inviting and magical, Alice In Wonderland is an imaginative new twist on one of the most beloved stories of all time. Alice (Mia Wasikowska), now 19 years old, returns to the whimsical world she first entered as a chil! d and embarks on a journey to discover her true destiny. This ! Wonderla nd is a world beyond your imagination and unlike anything you ve seen before. The extraordinary characters you ve loved come to life richer and more colorful than ever. There s the Mad Hatter (Johnny Depp), the White Queen (Anne Hathaway), the Red Queen (Helena Bonham Carter), the White Rabbit (Michael Sheen) and more. A triumphant cinematic experience Alice In Wonderland is an incredible feast for your eyes, ears and heart that will captivate audiences of all sizes.Tim Burton was born to bring Alice in Wonderland to the big screen. Ironically, his version of the Victorian text plays more like The Wizard of Oz than a Lewis Carroll adaptation. On the day of her engagement party, the 19-year-old Alice (a nicely understated Mia Wasikowska) is lead by a white-gloved rabbit to an alternate reality that looks strangely familiar--she's been dreaming about it since she was 6 years old. Stranded in a hall of doors, she sips from a potion that makes her shrink and nibble! s on a cake that makes her grow. Once she gets the balance right, she walks through the door that leads her to Tweedledum and Tweedledee (Matt Lucas), the Dormouse (Barbara Windsor), the Blue Caterpillar (Alan Rickman), and the Cheshire Cat (a delightful Stephen Fry), who inform her that only she can free them from the wrath of the Red Queen (Helena Bonham Carter channeling Bette Davis) by slaying the Jabberwocky. To pull off the feat, she teams up with the Mad Hatter (Johnny Depp in glam-rock garb), rebel bloodhound Bayard (Timothy Spall), and Red's sweet sister, the White Queen (Anne Hathaway in goth-rock makeup). While Red welcomes Alice with open arms, she plans an execution for the hat-maker when he displeases her ("Off with his head!"). Drawing from Alice's Adventures in Wonderland and Through the Looking-Glass, Burton creates a candy-colored action-adventure tale with a feminist twist. If it drags towards the end, his 3-D extravaganza still offers a tri! ppy good time with a poignant aftertaste. --Kathleen C. Fen! nessy

Stills from Alice in Wonderland

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Four Film Favorites: Chris Tucker Collection (Rush Hour / Rush Hour 2 / Rush Hour 3 / Money Talks)

• RUSH HOUR, RUSH HOUR 2, RUSH HOUR 3, and MONEY TALKS Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 794043135156 UPC: 794043135156 Manufacturer No: 1000103562

Ice Cube and Mike Epps are the driving force of this high style, high impact, action/comedy. One's a top dog bounty hunter, the other a two-bit hustler. Add to the mix a botched diamond heist, a lost sinning lottery ticket, and one thing becomes clear...that it's All About the Benjamins. Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, ! and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisTitles include: Friday, Next Friday, Friday After Next, All About The Benjamins Friday
Friday is the rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on h! is day off. Then unknown Chris Tucker plays Smokey, a marijua! na-worsh ipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown

Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out to get revenge. To protect Craig, Craig's father (John Witherspoon) sends his son to stay with his Uncle Elroy (Don "DC" Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the sub! urbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines--though funny lines abound. He writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughly enjoyable. --Bret Fetzer

Friday After Next
Ice Cube (Barbershop) uses his relaxed, raffish ch! arm to glide through the third movie in his Friday s! eries. A s Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret Fetzer

All About the Benjamins
Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get i! t?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisIce Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top ! of Bucum's list to boot. Yep, you guessed it: tough guy/funny ! guy budd y flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisIce Cube and Mike Epps are the driving force of this high style, high impact, action/comedy. One's a top dog bounty hunter, the other a two-bit hustler. Add to the mix a botched diamond heist, a lost sinning lottery ticket, and one thing becomes clear...that it's All About the Benjamins. Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike E! pps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisMONEY TALKS - DVD MovieThis formulaic 1997 comedy becomes needlessly complicated at points but feeds off the high energy of Chris Tucker (The Fifth Element, Rush Hour). Tucker plays a two-bit con man, Franklin Hatchett, framed for the prison breakout of a ruthless c! riminal. Hunted by both the police and the bad guys, Hatchett ! finds hi s only hope in a smarmy, self-serving television reporter played by the perfectly cast Charlie Sheen (Platoon), who agrees to protect the nervous, hapless patsy only to further his own career. The plot is at times just plain dumb, and the requisite car chases and explosions happen a bit too frequently. But Tucker's manic energy and off-the-wall humor, as he is thrown into situations of mistaken identity and mortal danger, make the movie a frenetic and entertaining romp. --Robert Lane 4 FILM FAVORITES:CHRIS TUCKER COLLECT - DVD Movie

The East Is Red: Swordsman III (HD Remastered Edition) DVD

• 1 disc package (region 0 NTSC)
• HD Remastered Edition
• English and Chinese (removable) subtitles

Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.\n "East I! s East" is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making "East Is East" a tremendously fun film. "--Jenny Brown"Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri),! father of seven unruly moppets and husband to a willful Briti! sh wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film ta! kes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownA young Japanese seaman jumps ship off the coast of Georgia and washes ashore on a barrier island inhabited by a strange mix of rednecks, descendents of slaves, genteel retired people, and a colony of artists. The result is a sexy, savagely hilarious tragicomedy of thwarted expectations, mistaken identity, love, jealousy and betrayal. "An absolutely stunning work, full of brilliant cross-cultural insights."--The New York Times Book Review.Manchester in 1971 is not the id! eal time and place to raise a proper Pakistani family. But Geo! rge Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the! children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownManchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversi! al?--works of art; Tariq (Jimi Mistry), the mod boy who lives ! for disc os and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he met! amorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownRe-issue of this intensely likeable best-selling comedy to coincide with extensive nationwide tour from Sept 05 to April 06. In Salford 1970: the Khan children, caught between bell-bottoms and arranged marriages, are buffeted this way and that by their Pakistani father's insistence on tradition, their English mother's laissez-faire and their own wish to be citizens of the modern world. Successfully filmed, after a rags-to-riches stage career that began in Birmingham in 1996, went on to a London premiere at the Royal Court, and culminated in the West End, "East is East" is a firm favourite with schools and theatres alike. It is one of NHB's top ten best-selling plays.Manchester in 1971 is not the ideal time and place to raise a proper Pakistani fa! mily. But George Khan (Om Puri), father of seven unruly moppet! s and hu sband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every! laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownAsia the Invincible, the demon who metamorphosized into a woman in Swordsman II, was thought dead at the end of the previous adventure. Navy Official Koo discovers her in her old hideout, and tells her that many have been assuming her name and forming cults. Knowing this division will destroy the country, she vows to destroy them all. She finds that her former lover, Snow, is also one of the imposters. What begins as a patriotic endeavor s! oon becomes a bloodbath as her destructive nature consumes her! . Unable to control her fury, she unleashes her powers on Snow and Koo. In her final battle with Koo, she kills him as well as Snow. Once again, she retires from the world.

Bridge on the River Kwai - Laminated Movie Poster - 11 x 17 Inch (28cm x 44cm)

• You are looking at a beautiful, professionally laminated poster.
• Lamination is a cost effective way to extend the life of your print or poster.
• Rolled and shipped in a sturdy tube.
• Clear lamination is an effective solution for protecting your print or poster from fading, dirt, fingerprints, moisture, bends, tears and rips.
• This poster is from Bridge on the River Kwai (1958)

Spectacularly produced, and the winner of seven Academy Awards® (1957), including Best Picture, Best Director, and Best Actor (Alec Guinness), The Bridge on the River Kwai continues to be one of the most memorable cinematic experiences of all time. Now, for the first time on Blu-ray, following an extensive all-new 4K digital restoration from the original negative, with newly restored 5.1 audio, experience director David Lean's masterpiece as you never have before.
Director! David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre.

The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge. His clash of wills with a British prisoner, the charismatic Colonel Nicholson (Alec Guinness), escalates into a duel of honor, Nicholson defying his captor's demands to win concessions for his troops. How the two officers reach a compromise, and Nicholson becomes obsessed with building that bridge, provides the story's thematic spine; the parallel movement of a team of commandos dispatched to stop the project, led by a British major (Jack Hawkins) and guided by an Ame! rican escapee (William Holden), supplies the story's suspense ! and forw ard momentum.

Shot on location in Sri Lanka, Kwai moves with a careful, even deliberate pace that survivors of latter-day, high-concept blockbusters might find lulling--Lean doesn't pander to attention deficit disorders with an explosion every 15 minutes. Instead, he guides us toward the intersection of the two plots, accruing remarkable character details through extraordinary performances. Hayakawa's cruel camp commander is gradually revealed as a victim of his own sense of honor, Holden's callow opportunist proves heroic without softening his nihilistic edge, and Guinness (who won a Best Actor Oscar, one of the production's seven wins) disappears as only he can into Nicholson's brittle, duty-driven, delusional psychosis. His final glimpse of self-knowledge remains an astonishing moment--story, character, and image coalescing with explosive impact.

Like Lean's Lawrence of Arabia, The Bridge on the River Kwai has been beautifully restored! and released in a highly recommended widescreen version that preserves its original aspect ratio. --Sam Sutherland

Stills from The Bridge on the River Kwai (click for larger image)

Beyond The Bridge on the River Kwai

The David Lean Collection

WWII 60th Anniversary Collection

The True Story of the Bridge on the River Kwai (History Channel)

Director David Lean's masterful 1957 realization of PierreBoulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The! Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre.

The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge. His clash of wills with a British prisoner, the charismatic Colonel Nicholson (Alec Guinness), escalates into a duel of honor, Nicholson defying his captor's demands to win concessions for his troops. How the two officers reach a compromise, and Nicholson becomes obsessed with building that bridge, provides the story's thematic spine; the parallel movement of a team of commandos dispatched to stop the project, led by a British major (Jack Hawkins) and guided by an American escapee (William Holden), supplies the story's suspense and forward momentum.

Shot on location in Sri Lanka, Kwai moves with a careful, even deliberate pace that survivo! rs of latter-day, high-concept blockbusters might find lulling! --Lean d oesn't pander to attention deficit disorders with an explosion every 15 minutes. Instead, he guides us toward the intersection of the two plots, accruing remarkable character details through extraordinary performances. Hayakawa's cruel camp commander is gradually revealed as a victim of his own sense of honor, Holden's callow opportunist proves heroic without softening his nihilistic edge, and Guinness (who won a Best Actor Oscar, one of the production's seven wins) disappears as only he can into Nicholson's brittle, duty-driven, delusional psychosis. His final glimpse of self-knowledge remains an astonishing moment--story, character, and image coalescing with explosive impact.

Like Lean's Lawrence of Arabia, The Bridge on the River Kwai has been beautifully restored and released in a highly recommended widescreen version that preserves its original aspect ratio. --Sam SutherlandLed in great part by Mitch Miller's recording of "The River Kwai March/Co! lonel Bogey March," this soundtrack became part of the mass-consciousness of the 1950s and following decades. The infectious and defiant whistling of the British prisoners of war is only one aspect of the film, though, standing alongside a score by Malcolm Arnold that (although winning an Academy Award) became overshadowed by Miller's commercial success. Often wading in folly as much as doom, Arnold views the adversities and will of the POWs in a way akin to Mickey's battle with the brooms in Fantasia. "Shear's Escape" floats in the life-and-death realism of the situation yet seems to find the playfulness and romantic abandon of a walk through a forest. "Overture," in its simultaneously laborious and stirring tones, prefers the stark representation of menace and captivity, orchestral sections battling one another as they search for a means of escape yet, in the end, find they must submit. And standing among it all is K. Alford's "Colonel Bogey March," the whistling ! tribute to another Disney film score that has always seemed to! allevia te even the worst days of drudgery at a cruel job. --James StockstillMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Kidoozie My First Beauty Bag

• A little girl's first beauty bag
• Soft, trendy, travel bag includes fun play accessories
• Includes motorized hair dryer, hand held mirror, 3 curlers, hair brush and curling iron
• Motorized hair dryer makes noise just like a real one
• Cute storage case

Queen Latifah heads an "excellent ensemble" cast in this "warm, funny, empowering" (New York Post) comedy from the producers of Barbershop and the producer of Bringing Down the House! Co-starring Alicia Silverstone, Andie MacDowell, Alfre Woodard, Mena Suvari and Djimon Hounsou - and featuring Kevin Bacon in a hilarious performance - Beauty Shop "will slap a smile on your face and keep it there" (Premiere)! When Jorge (Bacon), the egotistical boss at a posh salon, pushes his star stylist, Gina(Latifah), a hair too far, Gina leaves and opens a beauty shop of her own. Inheriting an opinionated group of stylists, a co! lorful clientele and a sexy upstairs neighbor, Gina proves that you can't keep a good woman down - and you can't keep a shopful of outrageous women from speaking their minds!With Queen Latifah holding court over a cast of sassy females, Beauty Shop continues the Barbershop franchise in entertaining style. Reprising her role from Barbershop 2: Back in Business, Latifah plays Gina the big-booty stylist, now on her own (she's a widow) and moving from Chicago to Atlanta, where she gets sick of her flamboyantly bitchy boss (played by... Kevin Bacon?), inherits her two best clients (Andie MacDowell and Mena Suvari) and her popular formula for "hair crack" conditioner, and opens her own styling shop with a $30,000 loan and a rainbow coalition of hairdressers played by Golden Brooks, Sherri Shepherd, Alfre Woodard and Alicia Silverstone. While it lacks the frank, sharply observant racial humor of Barbershop, this easygoing comedy moves along at an agreea! ble pace, with a supporting cast of beauty-shop customers (and! a love interest, played by Djimon Hounsou) who play off Queen Latifah's effortless appeal with energy to spare. Sure it's conventional, and most of the characters are thinly developed, but Beauty Shop is a fun place to visit for 105 hassle-free minutes. --Jeff ShannonThe Beauty Shop is UNDER NEW MANAGEMENT and the new owner’s name is "BIG MAMA LUCILLE." ‘Big Mama’ is actually not so big because she’s a sassy, sexy and flirtatious midget with all the elements that a beauty shop owner could ever ask for. Her shop is loaded with gossip, craziness and cat-fights…not to mention the outrageous characters that work for her. The daily issues that arise in the shop range from adultery and bad hygiene to dirty talk and bachelorette parties. As usual, in this Beauty Shop there’s hysterical laughter, dynamic singing and surprises galore. This is not a gospel stage play, but rather a side-splitting, comedic production; an evening of non-stop laughter and just like t! he original, "BEAUTY SHOP" is total entertainment.World renowned writer Shelly Garrett presents her collection of classic hits. With Robert Terry as "Chris" and Retha Jones of B.E.T.'s "Comic View" as "Terri Fuller." Beauty shop is the highest Grossing stage play in American history, grossing over 150 Million at the box office.Help mom and dad around the house with these fun building toys! This sturdy canvas kids tool belt from International Playthings features two easy to use pockets on the front that holds a Pretend play hammer, pliers, adjustable wrench and screwdriver with two bits! Also included is an electronic beeper for the busy builder!

Frailty

• DVD Details: Actors: Luke Askew, Brad Berryhill, Powers Boothe, Vincent Chase, Derk Cheetwood
• Directors: Bill Paxton
• Format: Anamorphic, Closed-captioned, Color, DVD, Widescreen, NTSC Region: Region 1 (U.S. and Canada only)
• Aspect Ratio: 1.85:1; Number of discs: 1; Studio: Lions Gate
• DVD Release Date: September 17, 2002; Run Time: 100 minutes

Fenton Meiks arrives at an FBI office with information about the God's Hands killer, a religious fanatic who thinks he is on a mission from God to rid the world of \demons" posing as humans; Fenton believes that his father and now his brother are the killers.
Genre: Horror
Rating: R
Release Date: 17-SEP-2002
Media Type: DVD"""Steeped in gloomy atmosphere, Frailty locates its horror in the tyranny of religious fanaticism. Making an assured directorial debut, actor Bill Paxton c! ostars as a Texas widower who believes God has recruited him to destroy demons in human form. Feeling divinely justified in committing a series of ax murders (discreetly unseen), he urges his two young sons to assist him in the killings--a living nightmare recalled in flashback by one of the now-adult sons (Matthew McConaughey) to the FBI agent (Powers Boothe) who's investigating the murders. But mystery is of secondary importance in Brent Hanley's cleverly twisting screenplay; Frailty suggests, with unsettling subtlety, that Paxton's mission may not be delusional, thus burdening his deadly wrath with spiritually disturbing significance. It's definitely not a feel-good film, but with celebrity endorsements by Stephen King and directors James Cameron and Sam Raimi (who both made films with Paxton), Frailty gets under the skin with insidious efficiency. --Jeff Shannon

Mister Lonely

• When a Michael Jackson impersonator (Diego Luna) living in Paris falls for a Marilyn Monroe impersonator (Samantha Morton) during a performance at a retirement home, the lovestruck pair retreats to a seaside castle in the Scottish highlands populated by a commune of reclusive impersonators. Earning a living can be a difficult endeavor in the City of Lights, and in order to make ends meet, one man

From Harmony Korine, screenwriter of Kids, comes a haunting portrait of life in small-town America. Through a collection of dreamlike and devastating images, Korine offers a glimpse of Xenia, Ohio, a world existing in the aftermath of a tornado.JULIEN DONKEY-BOY - DVD MovieFrom Harmony Korine, screenwriter of Kids, comes a haunting portrait of life in small-town America. Through a collection of dreamlike and devastating images, Korine offers a glimpse of Xenia, Ohio, a world existing in the aftermath! of a tornado.Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians living in Southern California. Ken Park takes its name from the skate park where an ancillary character takes his own life in the film's opening moments, and then proceeds to chronicle the somewhat-interrelated lives of his classmates.

The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for erotic sessions with his girlfriend's mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui).

Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its non-commercial content made finding a U.S. distributor near-impossible.

Uncut & Uncensored Anamorphic (16:9) Widescreen Version
English 5.1 & Russian 5.1 Audio Options
Optional Russian SubtitlesAfter five years in prison for a crime he didnt commit billy brown a down-on-his-luck-romantic comes home to seek revenge on a local field goal kicker who cost him his freedom and buffalo its super bowl dreams. Studio: Lions Gate Home Ent. Release Date: 02/01/2005 Starring: Vincent Gallo Ben Gazzara Run time: 110 minutes Rating: RWriter-director-composer Vincent Gallo and Christina Ricci star in this quirky and deliberately grimy little movie. Gallo plays Billy Brown, recently released from prison and unable to find so much as a decent bathroom in his cold hometown. Billy's parents are unaware that he's been locked up; in a pathetic attempt to impress them with how successful he's become, he hits on the novel plan of kidnapping young dance student Layla (Ricci) and forcing her to play the role of his wife. Billy's distant--to say the least--parents are played to the hilt by Anjelica Huston and Ben Gazzara, Huston in particular bringing a dement! ed glee to her role as Billy's football-obsessed mother. As the movie unfolds, we learn more about Billy's tormented childhood and unfortunate tendency to bet on the Bills in the Super Bowl. Gallo boldly throws himself into the task of playing a complete sleazebag, and Ricci does lovely standout work as the one ray of hope in the grinding darkness of Billy's life. This odd little love story is just the thing to make you feel better about your own relationship--especially if you're not in one. --Ali DavisMISTER LONELY - DVD MovieFollowing an eight-year hiatus, Harmony Korine returns triumphantly with Mister Lonely, a more traditionally structured drama than his previous experiments, Gummo and Julien Donkey Boy. First recognized for writing the Larry Clark film, Kids, Korine ruled the 1990s for expressing disenchanted youth. As his previous films focused on self-destructive characters, Mister Lonely is a departure though it ! still points to Korine's interest in the carnivalesque. In thi! s far-fe tched fairy tale, a Michael Jackson impersonator (Diego Luna) living in Paris is invited by a Marilyn Monroe look-alike (Samantha Morton) to join her commune of misfits in a remote Scottish castle. Upon arrival, Michael meets the likes of Charlie Chaplin (Denis Lavant), Abe Lincoln, Madonna, the Queen of England (Anita Pallenberg), and the Pope (James Fox), who is usually drunk. As a dark romance unfolds between Marilyn and Michael, a second narrative involving missionary nuns in Panama unfolds, revealing stunning footage of them jumping out of planes sans parachutes to test faith. Their airplane is piloted by Father Umbrillo, played by Werner Herzog, who at this point could be called Korine's patron saint. The absurdist, comitragic plot challenges the viewer's suspension of disbelief, and is much less reality-based than Korine's previous movies. His filmic experiments work best when the nuns' story intertwine with the impersonators', presenting deep commentary on faith, emb! odying another person, and escapism. Throughout, rich color and costuming provide a visually provocative experience. As each film of Korine's is unique in structure and approach, Mister Lonely has been long anticipated and will prod fans to guess what Korine has up his sleeve next. --Trinie Dalton

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Jayne (Parker Posey) and Laura (Demi Moore) are about to take on the first man they just might not be able to handle: their father Joe (Rip Torn). Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives. Laura suspects that Joe needs full-time care, but Jayne refuses to believe that their father’s condition is seri! ous. Jayne’s compulsion to escape reality only increases Laura’s attempts to yank her back down to earth. Meanwhile, Joe still sings and plays the blues on his prized guitar, and the lively widower even has a new “ladyfriend,” shameless and sassy Shelly (Ellen Barkin). Tensions flare as Joe’s senility increases and the close sisters must also juggle their own very different lives â€" but their adventures back home are not without merriment, mischief and even a little childhood magic.Parker Posey and Demi Moore prove inspired casting as troubled sisters in Happy Tears. Posey (all quirks and neuroses) plays Jayne, the sister who married the wealthy but unstable son of a famous artist and is now enveloped in a bubble of money; Moore (half woman warrior, half earth mother) plays Laura, the sister who isn't rich and who has ended up taking care of their increasingly erratic father, Joe (Rip Torn, Men in Black, The Larry Sanders Show), and who is ma! naging--just barely--not to resent Jayne for the difference in! their l ives. But Joe is slipping into dementia and giving away money to a needy addict named Shelly (Ellen Barkin, Ocean's Thirteen, Sea of Love), so Jayne comes back home to decide with Laura what to do. Happy Tears is a peculiar yet vivid movie; the naturalistic surface of its domestic drama is punctured with odd moments of surrealism, such as when Jayne hallucinates that a boot salesman has turned into a vulture. The plot wanders, the characters are explored unevenly, yet moment to moment Happy Tears holds you by virtue of a surprising honesty. Jayne, Laura, Joe, and Shelly feel--despite a bit of hamminess in the performances--like real people, with jagged edges that can't be ignored or explained away. --Bret Fetzer

Stills from Happy Tears (Click for larger image)
PRINCESS KAIULANI - DVD MoviePrincess Kaiulani is a moving film that's part romantic epic, part historical period piece. But mostly it's a portrait of how a frightened young girl grew into an extraordinary woman. The film begins in 1889, when civil unrest unsea! ted Hawaii's royal family and the Hawaiian people began a stru! ggle to maintain their independence and right of self-governance, and when the 13-year-old princess Ka'iulani (Q'orianka Kilcher), who was next in line for the Hawaiian throne, was exiled to England to ensure her safety. Shot on location in both England and Hawaii by indie director Marc Forby, this breathtakingly beautiful film follows Ka'iulani as she is plopped down in a foreign world that looks upon Hawaiians as barbarians and where her royal heritage counts for virtually nothing. Princess Ka'iulani, or "Victoria," as the English often call her, endures harsh treatment at the hands of both teachers and students at boarding school, but she refuses to crumble, carrying on with a strength and quiet resolve that's powerfully portrayed by Kilcher. As Ka'iulani matures, she falls in love with Englishman Clive Davies (Shaun Evans) and becomes engaged. Just as Ka'iulani's happiness seems assured, her father visits her in England, bringing with him serious news: her uncle, King Kalakaua (! Ocean Kaowili), has died unexpectedly after having been forced to adopt a constitution in conflict with the best interests of the Hawaiian people, and Ka'iulani's aunt Liliu'okalani (Leo Anderson Akana), who ascended to the throne, has subsequently been put under house arrest and removed from power. Incensed by the grave injustices inflicted upon her people, Princess Ka'iulani is propelled by her inherent sense of duty to sacrifice her own potential happiness. She journeys first to America, where she eloquently pleads with outgoing president Grover Cleveland for his help, and later to Hawaii, where she fights for her people's rights in person. Princess Kaiulani is a powerful film, and what comes across so strongly is not just the often-overlooked perspective of the native Hawaiian people regarding America's annexation of Hawaii and the cultural consequences of that annexation, but the truly heroic acts of Hawaii's extraordinary Princess Ka'iulani. --Tami HoriuchiThe domestic disciplinary adventures of a family consisting! of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Illustrated.CLASSIC CHASTISEMENT The domestic disciplinary adventures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Tammy La GorceYour iphone is as attractive and usable while protected from dust and scratches in this plastic clip case accessory. Extremely tough, durable case molds perfectly to your phone's shape while providing easy access to all functions without having to remove the case. This style of case is for back cover only. No front cover available as this is a newest style of iphone case. NOTE: Due to differences in monitors, color may vary from photo. For iPhone 3G / 3G S. Sorry, NOT compatible with iPhone 1st Generation