Tuesday, November 29, 2011

Creepshow [Blu-ray]

  • Two macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style ofic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything . grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their
Studio: Warner Home Video Release Date: 09/08/2009Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The ! results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan ReesmanStudio: Warner Home Video Release Date: 09/08/2009 Run time: 134 minutes Rating: Pg13Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come ! very close to replicating a horror comic in film format. The r! esults m ix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan Reesman

Casa de Los Babys 20x26 Framed and Double Matted Movie Poster - Style A

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Acclaimed filmmaker John Sayles captures six American women at one of the most emotionally charged moments of their liveseach on the verge of adopting a babyin this "compelling" (Chicago Tribune) drama set against the backdrop of a Latin-American town. Featuring an "inspired" (The Miami Herald) all-star cast, this poignant look at fate, maternity and clashing cultures is "as rich in ideas as it is in fine acting" (Los Angeles Daily News).John Sayles brings observant compassion and calm insight to Casa de los Babys, a fiercely independent film with a peerless ensemble cast. Dispensing with traditional storytelling to focus instead on the turbulent emotions surrounding the adoption of bab! ies by American women in an unnamed South American country (filmed in Acapulco, Mexico), Sayles takes an unobtrusive approach to their dilemmas, listening (and filming) like an understanding friend to these hopeful women, who are either bound or separated by their disparate personalities. Sayles also covers both sides of the adoption equation by including a Latina mother (Vanessa Martinez), certain that her baby will enjoy a better life with adoptive American parents, but still struggling with the anguish of her sacrifice. This isn't on par with Sayles's best work (and reviews were predictably mixed), but there's not a false note anywhere, and the cast (including Daryl Hannah, Marcia Gay Harden, Maggie Gyllenhaal, Lili Taylor, Susan Lynch and Mary Steenburgen) is uniformly superb. Sayles isn't playing social commentator here, and that's to his credit. Instead, Casa de los Babys is a sensitive film about a sensitive subject, allowing viewers to draw their own conclusi! ons. --Jeff ShannonDirector John Sayles has long excell! ed in fi lms driven by character-rich interpersonal relationships, and this tale of six disparate women who find themselves thrown together in a South American motel waiting for bureaucrats to process their adoption papers for a local orphanage is no exception. Sayles obviously handpicked this diverse collection of songs and styles to underscore the tropical mood and rich emotional tenor of his story, but his selections also display a playful delight in willfully debunking various Latin music sterotypes as well. The retro doo-wop of Las Zafiras, sultry ballads of Broadway star Rita Moreno and spare modernism of Lhasa prove that influences migrate freely both ways across the equator, while Carlos Puebla and Ruben Blades display the compassion beneath their oft-politicized music. The collaborations of Mason Daring and Claudio Ragazzi (including the Moreno-performed "Quien Sera") further underscore the sense of pan-American richness that informs this compelling soundtrack from fir! st cut to last. -- Jerry McCulleyAcclaimed filmmaker John Sayles captures six American women at one of the most emotionally charged moments of their lives--each on the verge of adopting a baby--in this compelling drama set against the backdrop of a Latin American town. Featuring an inspired all-star cast, this poignant look at fate, maternity and clashing cultures is as rich in ideas as it is in fine acting.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Films directed by John ! Sayles.

DIVORCING JACK ORIGINAL MOVIE POSTER

  • 30X40 UK QUAD
  • DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
  • SIZE: Approx 27x40 inches unless otherwise stated.
An adulterous fling with a anonymous woman who is soon found murdered plunges Belfast journalist Dan Starkey into the district's violent politics, as his search for the woman's killer leads him into the highest reaches of power. A first novel.In Colin Bateman's first novel, Divorcing Jack, a witty Belfast newspaper columnist named Dan Starkey gets drunk, falls in lust, and finds himself helplessly mired in trouble with his wife and the law. Shortly after Starkey's wife catches him in the arms of another woman, that woman is murdered and Starkey becomes the prime suspect. Turns out the deceased woman was related to an important political figure, and now thugs from several of Northern Ireland's factions a! re out to get Starkey. The columnist decides he must track down the killer in order to clear his own name. During the investigation, he uncovers a scandal that could potentially alter the outcome of the next national election--and destroy the country's hopes for peace.

Mostly though, this thriller chronicles the beleaguered journalist's lame efforts to stay out of trouble. Starkey isn't exactly a man of action; in fact, he's a likable character partly because he knows he's a weak man. Late in the book, Starkey sums up his predicament: "The world was still after me, Patricia was still missing, I was still a killer on the run, and I had a disturbing tendency to burst into tears, but I wasn't going to let little things like that get me down." He copes with stress by 1) drinking too much and 2) making jokes. When a nun in a miniature car saves Starkey from a hail of gunfire, for instance, he spends a few moments wondering what the proper name of her headgear! is and decides to call it a Godpiece. Dan Starkey makes an e! ntertain ing guide to war-torn Northern Ireland, even while he discovers again and again that the pen is not mightier than the sword. --Jill MarquisDan Starkey is a young journalist in Belfast, who shares with his wife, Patricia, a prodigious appetite for drinking and dancing. Then Dan meets Margaret, a beautiful and apparently impoverished student, and things begin to get out of hand. And then, terrifyingly, Margaret is murdered. Is it because of her liaison with Dan? Is it because she was not exactly who she claimed to be? Is it the IRA? A Protestant extremist group? A jealous lover? Before long, Dan is a target himself, running as fast as he can in a race against time to crack the mystery and save his marriage.PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can! buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

Conan O'Brien Poster - Can't Stop 2011 Movie Teaser Flyer 11x17 - CS

  • Teaser Flyer to promote the Conan O'Brien Movie Can't stop
  • Conan O'Brien Movie Can't Stop Promo Flyer
  • Size 11 x 17 inches approx (28 x 43 cm)
  • Window display/ Telephone Pole Flyer sized Poster
After a much publicized departure from hosting NBC's "Tonight Show," Conan O'Brien hit the road with a 32-city music-and-comedy show. "The Legally Prohibited From Being Funny on Television Tour" was O'Brien's answer to a contractual stipulation that banned his appearance on television, radio and the internet for six months following his last show. Filmmaker Rodman Flender's resulting documentary, CONAN O'BRIEN CAN T STOP, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career.Even if Conan O'Brien were "Legally Prohibited from Being Funny on Television"--the official name of the 2010 tour featured in the documentary Conan O'Brien Can't Stop, he'd happily be a scofflaw. Longtime TV director Rodman Flender (Ugly Betty) captures both O'Brien's spontaneous humor in his standup comic tour around the United States, but also his rage. O'Brien briefly replaced Jay Leno as host of NBC's The Tonight Show, but ratings for the show plummeted. So NBC dropped O'Brien, and O'Brien got his revenge by selling out shows in 32 cities, featuring equal parts standup, monologue, and screed against NBC. "If there's ever been a time in my life when I could say 'the hell with it,' it would be now," O'Brien says early in the film, setting up his rage as well as finding a pretty good outlet for it. Those who wonder if there's a healthy--or even unhealthy--dose of anger behind most standup comics will see the answer in a largely unguarded O'Brien, captured with raw honesty by Flender, in Conan O'Brien Can't Stop. O'Brien is also joined at various points of the tour by Jim Carrey, Andy R! ichter, Steve Kroft of 60 Minutes (who gets an earful),! Eddie V edder, and others. And O'Brien does manage to be pretty funny, mostly in off-the cuff moments. But Conan O'Brien Can't Stop is notable mostly for O'Brien's willingness to be shown as the pot lid is starting to blow off the boiling pan. And that makes for incredibly gripping viewing. --A.T. HurleyAfter a much publicized departure from hosting NBC's "Tonight Show," Conan O'Brien hit the road with a 32-city music-and-comedy show. "The Legally Prohibited From Being Funny on Television Tour" was O'Brien's answer to a contractual stipulation that banned his appearance on television, radio and the internet for six months following his last show. Filmmaker Rodman Flender's resulting documentary, CONAN O'BRIEN CAN T STOP, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career.Even if Conan O'Brien were "Legally Prohibited from Being Funny on Television"--the official name of the 2010 tour featured in the do! cumentary Conan O'Brien Can't Stop, he'd happily be a scofflaw. Longtime TV director Rodman Flender (Ugly Betty) captures both O'Brien's spontaneous humor in his standup comic tour around the United States, but also his rage. O'Brien briefly replaced Jay Leno as host of NBC's The Tonight Show, but ratings for the show plummeted. So NBC dropped O'Brien, and O'Brien got his revenge by selling out shows in 32 cities, featuring equal parts standup, monologue, and screed against NBC. "If there's ever been a time in my life when I could say 'the hell with it,' it would be now," O'Brien says early in the film, setting up his rage as well as finding a pretty good outlet for it. Those who wonder if there's a healthy--or even unhealthy--dose of anger behind most standup comics will see the answer in a largely unguarded O'Brien, captured with raw honesty by Flender, in Conan O'Brien Can't Stop. O'Brien is also joined at various points of the tour by Jim Car! rey, Andy Richter, Steve Kroft of 60 Minutes (who gets ! an earfu l), Eddie Vedder, and others. And O'Brien does manage to be pretty funny, mostly in off-the cuff moments. But Conan O'Brien Can't Stop is notable mostly for O'Brien's willingness to be shown as the pot lid is starting to blow off the boiling pan. And that makes for incredibly gripping viewing. --A.T. HurleyConan O'Brien Movie Can't stop flyer

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When 15-year-old Owen (Alex Linz) meets Congressman Lawrence Connor (Steven Weber) at his middle-school graduation, the bookish, friendless boy is flattered to be offered a junior position with Connor`s senatorial campaign. Owen befriends the congressman`s young nephew, Caleb, and as his involvement in the campaign grows, Owen`s innocence is shattered as he discovers the dark underbelly of politics, where business and politics share more than financial interests, and idealism and innocence rarely go unpunished.Are you a frustrated parent trying to bring up an adolescent? Are you a frustrated adolescent trying to bring up your parent? When Shit Happens! Learn how to move through the limiting thoughts and into your own power with the! intent to prosper. Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain world, YOU. Now is your chance to help create your own world. Quit the struggle Understand the reason why shit happens Find your self choosing to create your own reality Can you feel that the structures of the old society are being rocked! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future! Change is inevitable you can choose to This Sink Or that Swim"Are you a frustrated parent trying to bring up an adolescent?Are you a frustrated adolescent trying to bring up your parent?
When Shit Happens!!! Learn how to move through the limiting thoughts and into your own power with the intent to prosper. Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain wor! ld, YOU.
Now is your chance to help create your own world! .
Q uit the struggle
Understand the reason why shit happens
Find your self choosing to create your own reality
Can you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!
Change is inevitable you can choose to This     Sink Or that     Swim"
"Are you a frustrated parent trying to bring up an adolescent?Are you a frustrated adolescent trying to bring up your parent?
When Shit Happens!!! Learn how to move through the limiting thoughts and into your own power with the intent to prosper. Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain world, YOU.
Now is your chance to help create your own world.
Quit the struggle
Understand the reason why shit happens
Find your self choosing to create your own realityCan you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!
Change is inevitable you can choose to This     Sink Or that     Swim"
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Mens Valet Charging Station Organizer Suit Tie Belt Shoe Rack Dark Mahogany Finish

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One of the country's premier outdoors writers makes his chilling fiction debut. It came out on the night of the hunters.

Deputy Frank Vaughn is tracking a strange, wounded beast. But there's only one thing more terrifying than what he's hunting. It's what's hunting him.Throughout its long history, Freetown, Massachusetts, has been a hotbed of criminal and supernatural occurrences in the town's State Forest. This is the first account of how its darker side connects hauntings with violent crime and local cults. Native American ghosts roam here and evil lurks, making the forest a haven for nasty creatures (the Pukwudgies). A witch looks for ! favors from young men, satan cults thrive, and killers kill. Read first-hand accounts from police officials and criminals about the forest. Learn why hauntings continue today. Many come here to enjoy the beauty of Freetown State Forest; these are the stories of those who cannot leave.Eden turned the teddy bear over in her hands and Cal saw the way her fingers stroked the worn patch of fur, touching the frayed threads where the glass eye used to be. 'Where did you get this?' she whispered. Jefferson smiled. 'From in here,' he told her, tapping a finger against his temple. 'From inside your head.' After meeting on holiday in Montana, Cal and Eden decide to explore the mountains beyond their campground. But deep in the woods, someone is watching them. Jefferson Boyd, a lone outcast, believes he has discovered a way of turning dreams into reality. But he needs someone to experiment upon. When Cal wakes up in an isolated cabin, he discovers they are not alone. And as the terrify! ing truth emerges, he realises that their only chance of survi! val is t o finally confront the nightmares that are stalking them through the shadows of the forest ...Forgotten somewhere between Bar Harbor, Maine, and New Brunswick, Canada, lies the most remote and mysterious section of the Eastern Seaboard. It is a region rich in stark beauty--and supernatural lore. The harsh landscape, with its rocky seaside cliffs and thundering surf and miles of dark, mysterious forest farther inland, lends itself to the ghost story. Overlaying the ghost tales gathered in this book is a sense of unspeakable horror and malice.A critically acclaimed psychological thriller; Dark Woods tells the story of a young couple who moves to a secluded cabin to cope with the wife's terminal illness. After the husband rescues a young girl from the abusive hands of her psychotic uncle he is coerced by local law enforcement to allow her to stay with them. As the illness consumes the wife and the husband struggles with his own human connections, the young girl attempts to clai! m her place in this strange new family dynamic. The husband must rediscover his humanity and choose between his increasingly erratic and sexually explorative new housemate, and his horrifically deteriorating wife.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

In Stuart Woods's perfect mix of sexy intrigue and swift suspense, Stone Barrington investigates the suicide of a CIA officer-his cousin.Eden turned the teddy bear over in her hands and Cal saw the way her fingers stroked the worn patch of fur, touching the frayed threads where the glass eye used to be. 'Where did you get this?' she whispered. Jefferson smiled. 'From in here,' he told her, tapping a finger against his temple. 'From inside your head.' After meeting on holiday in Montana, Cal and Eden decide to explore the mountains beyond their campground. But deep in the woods, someone is watching them.Jefferson Boyd, a lone outcast, bel! ieves he has discovered a way of turning dreams into reality. ! But he n eeds someone to experiment upon.When Cal wakes up in an isolated cabin, he discovers they are not alone. And as the terrifying truth emerges, he realises that their only chance of survival is to finally confront the nightmares that are stalking them through the shadows of the forest . . .Eden turned the teddy bear over in her hands and Cal saw the way her fingers stroked the worn patch of fur, touching the frayed threads where the glass eye used to be. 'Where did you get this?' she whispered. Jefferson smiled. 'From in here,' he told her, tapping a finger against his temple. 'From inside your head.' After meeting on holiday in Montana, Cal and Eden decide to explore the mountains beyond their campground. But deep in the woods, someone is watching them.Jefferson Boyd, a lone outcast, believes he has discovered a way of turning dreams into reality. But he needs someone to experiment upon.When Cal wakes up in an isolated cabin, he discovers they are not alone. And as the terrif! ying truth emerges, he realises that their only chance of survival is to finally confront the nightmares that are stalking them through the shadows of the forest . . .Once upon a time, in a village in Germany, there traveled a poor opera company. With them was a brilliant young composer whose career was yet to be written by history…and a young soprano whose past was a tragedy forgotten even by her.

As the stage is set for the composer’s masterpiece, the young woman is destined to face her worst fear. A dark opera unfolds around her, a simple children’s tale becomes a nightmare driving her towards her past beneath the shadows of the Konigsforst.

Into the woods we go…



Excerpt from Gingerbread House:

The stage’s light fell upon the witch as she paused before them, a hunched figure in a dress of grimy homespun cloth. Beneath the peeling paper layers and plaster nose, the face of Frauline Truda was almost invisib! le; her twisted features painted in a corpse-like green and gr! ey.

“Kommt, kleine Maus-lein, kommt in mein Haus-lein,” she intoned, beckoning towards them entreatingly.

It was not the voice of Frauline Truda the Viking Maid or Queen of the Night; it was the voice of something cold and evil. Wickedness oozed from it; a seeping, sickly tone that emerged in a slow rhythm, matching the finger coaxing them forward with its long nail.

“Come, little mous-ie,” she crooned. “come into my hous-ie...” Her trailing skirts swept across the stage as she moved backwards towards the painted cottage. Elsa was frozen in place; Adler propelling her forward by force in step to the witch’s song.

The ground was closing between herself and the witch, the girl’s heart pounding as her heavy boots scraped against the floorboards. Frauline Truda’s smile seemed inhuman beneath her malformed mask, exposing teeth stained black beneath.

“Hocus, Pocus, witch’s charms!” With a shriek of delight, F! rauline Truda aimed the witch’s broom at them, its pointed end dwindling to a wand…
Once upon a time, in a village in Germany, there traveled a poor opera company. With them was a brilliant young composer whose career was yet to be written by history…and a young soprano whose past was a tragedy forgotten even by her.

As the stage is set for the composer’s masterpiece, the young woman is destined to face her worst fear. A dark opera unfolds around her, a simple children’s tale becomes a nightmare driving her towards her past beneath the shadows of the Konigsforst.

Into the woods we go…



Excerpt from Gingerbread House:

The stage’s light fell upon the witch as she paused before them, a hunched figure in a dress of grimy homespun cloth. Beneath the peeling paper layers and plaster nose, the face of Frauline Truda was almost invisible; her twisted features painted in a corpse-like green and grey.

“Kommt, kleine Mau! s-lein, kommt in mein Haus-lein,” she intoned, beckoning tow! ards the m entreatingly.

It was not the voice of Frauline Truda the Viking Maid or Queen of the Night; it was the voice of something cold and evil. Wickedness oozed from it; a seeping, sickly tone that emerged in a slow rhythm, matching the finger coaxing them forward with its long nail.

“Come, little mous-ie,” she crooned. “come into my hous-ie...” Her trailing skirts swept across the stage as she moved backwards towards the painted cottage. Elsa was frozen in place; Adler propelling her forward by force in step to the witch’s song.

The ground was closing between herself and the witch, the girl’s heart pounding as her heavy boots scraped against the floorboards. Frauline Truda’s smile seemed inhuman beneath her malformed mask, exposing teeth stained black beneath.

“Hocus, Pocus, witch’s charms!” With a shriek of delight, Frauline Truda aimed the witch’s broom at them, its pointed end dwindling to a wand…
Get organized with this! sleek and sophisticated men's valet/charging station. The perfect accessory for the well-dressed gentleman, the valet offers storage and organization in a dark mahogany finish with satin nickel accents. Valet features include: a form fitting hanger, a large accessory storage tray with drawer, a trouser hanger, tie/belt hanger and a shoe rack. The large storage tray is wide enough to hold a power strip for charging your cell phone or other electronic devices. Measures 42.5"H x 19" W x 14.25" D. Made of wood with a dark mahogany finish and satin nickel hardware. Form fitting suit/shirt hanger. Trouser hanger. Large accessory tray that holds an entire power strip, and a spacious drawer. Tie/belt hanger. Shoe rack.

With the Old Breed: At Peleliu and Okinawa

  • ISBN13: 9780891419068
  • Condition: New
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#1 New York Times bestselling author Lora Leigh returns to the world of the Breeds where animal instincts can bring a feral pleasure to every man and his willing female mate.For fans who have been been waiting to devour Darker After Midnight, as well as new readers tempted by the seductive thrills of her Midnight Breed novels, New York Times bestselling author Lara Adrian offers up a tantalizing appetizer in A Taste of Midnight. In this spellbinding eBook novella of otherworldly desire, a woman whose destiny was born from a blood kiss discovers that second chances do come . . . even for immortals.
 
A shimmering holiday gala lights up an ancient ca! stle in the Scottish Highlands, but beautiful widowed Breedmate Danika MacConn feels alone in the crowd. Even among the friends and festivity of the Darkhaven celebration, she can’t forget her lost love, a fallen warrior of the Order. Her brief return to her mate’s homeland has become treacherous after rejecting the advances of a dangerous Edinburgh crime boss with a taste for blood sport. As Danika seeks to expose the vampire and his dark trade, she discovers an unexpected ally in his forbidding, enigmatic henchman, Brannoc, a man who exudes heat, danger, and dark menaceâ€"and seems somehow achingly familiar. Bran has his own reasons for wanting to keep Dani out of his employer’s business . . . and his own secrets he means to keep buried. The last thing he needs is to get tangled up with a woman who tempts the wildest part of his Breed natureâ€"especially when that woman is Danika MacConn, the one woman capable of bringing him to his knees.
 
Contains! a preview of the hotly anticipated nightcap of Lara Adrian’! s Midnig ht Breed series, Darker After Midnight!For fans who have been been waiting to devour Darker After Midnight, as well as new readers tempted by the seductive thrills of her Midnight Breed novels, New York Times bestselling author Lara Adrian offers up a tantalizing appetizer in A Taste of Midnight. In this spellbinding eBook novella of otherworldly desire, a woman whose destiny was born from a blood kiss discovers that second chances do come . . . even for immortals.
 
A shimmering holiday gala lights up an ancient castle in the Scottish Highlands, but beautiful widowed Breedmate Danika MacConn feels alone in the crowd. Even among the friends and festivity of the Darkhaven celebration, she can’t forget her lost love, a fallen warrior of the Order. Her brief return to her mate’s homeland has become treacherous after rejecting the advances of a dangerous Edinburgh crime boss with a taste for blood sport. As Danika seeks ! to expose the vampire and his dark trade, she discovers an unexpected ally in his forbidding, enigmatic henchman, Brannoc, a man who exudes heat, danger, and dark menaceâ€"and seems somehow achingly familiar. Bran has his own reasons for wanting to keep Dani out of his employer’s business . . . and his own secrets he means to keep buried. The last thing he needs is to get tangled up with a woman who tempts the wildest part of his Breed natureâ€"especially when that woman is Danika MacConn, the one woman capable of bringing him to his knees.
 
Contains a preview of the hotly anticipated nightcap of Lara Adrian’s Midnight Breed series, Darker After Midnight!The climactic novel in Lara Adrian's New York Times bestselling Midnight Breed series--and her hardcover debut--Darker After Midnight invites readers to enter a thrillingly sensual world where danger meets desire. In The Wall Street Journal, Victor Davis Hanson named ! With the Old Breed one of the top five books on epic tw! entieth- century battles. Studs Terkel interviewed the author for his definitive oral history, The Good War. Now E. B. Sledge’s acclaimed first-person account of fighting at Peleliu and Okinawa returns to thrill, edify, and inspire a new generation.

An Alabama boy steeped in American history and enamored of such heroes as George Washington and Daniel Boone, Eugene B. Sledge became part of the war’s famous 1st Marine Divisionâ€"3d Battalion, 5th Marines. Even after intense training, he was shocked to be thrown into the battle of Peleliu, where “the world was a nightmare of flashes, explosions, and snapping bullets.” By the time Sledge hit the hell of Okinawa, he was a combat vet, still filled with fear but no longer with panic.

Based on notes Sledge secretly kept in a copy of the New Testament, With the Old Breed captures with utter simplicity and searing honesty the experience of a soldier in the fierce Pacific Theater. Here is what saved, threatened, and! changed his life. Here, too, is the story of how he learned to hate and killâ€"and came to loveâ€"his fellow man.

The Order - From Matthew Barney's Cremaster Cycle 3

The Assassination of Jesse James by the Coward Robert Ford

  • Everyone in 1880s America knows Jesse James. Hes the nations most notorious criminal, hunted by the law in 10 states. Hes also the lands greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. Hell befriend Jesse, ride with his gang. And if that doesnt bring Ford fame, hell find a deadlier way.Friendship become

Jesse James was a fabled outlaw, a charismatic, spiritual, larger-than-life bad man whose bloody exploits captured the imagination and admiration of a nation hungry for antiheroes. Robert Ford was a young upstart torn between dedicated worship and murderous jealousy, the "dirty little coward" who coveted Jesse's legend. The powerful, strange, and unforgettable story of their interweaving pathsâ€"and twin destinies that would collide in a rain of blood and betrayalâ€"is a story of America in all ! her rough, conflicted glory and the myths that made her.

2008 soundtrack to the acclaimed film starring Brad Pitt. The soundtrack's composers, Nick Cave and Warren Ellis, come from the internationally celebrated bands Nick Cave And The Bad Seeds, The Dirty Three and Grinderman. Cave and Ellis composed, played and produced this compelling and intense soundtrack for director Andrew Dominik's savage tale of the true West, The Assassination of Jesse James By The Coward Robert Ford. This soundtrack perfectly captures the charismatic and unpredictable nature of the film's central protagonist. Like the film, Cave and Ellis' music cuts through the mythic figure of Jesse James to reveal the complex, contradictory man beneath. Daring and passionately delivered, this beautiful soundtrack retains its captivating power even without the benefit of Dominik's images. Mute.Hansen re-creates the real West with his imaginative telling of the life of the most famous outlaw of them all, ! Jesse James, and of his death at the hands of the upstart Robe! rt Ford. James, a charismatic, superstitious, and moody man, holds sway over a ragged gang who fear his temper and quick shooting. Robert Ford, a young gang member torn between worshipping Jesse and taking his place, guns him down in cold blood and lives out his days tormented by the killing.Everyone in 1880s America knows Jesse James. He’s the nation’s most notorious criminal, hunted by the law in 10 states. He’s also the land’s greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. He’ll befriend Jesse, ride with his gang. And if that doesn’t bring Ford fame, he’ll find a deadlier way. Friendship becomes rivalry and the quest for fame becomes obsession in this virile epic produced in part by Ridley Scott and featuring gripping portrayals by Brad Pitt (winner of the Venice Film Festival Best Actor Award) as Jesse and Casey Affleck as the youth drawn closer to his goal…and farthe! r from his own humanity.Of all the movies made about or glancingly involving the 19th-century outlaw Jesse Woodson James, The Assassination of Jesse James by the Coward Robert Ford is the most reflective, most ambitious, most intricately fascinating, and indisputably most beautiful. Based on the novel of the same name by Ron Hansen, it picks up James late in his career, a few hours before his final train robbery, then covers the slow catastrophe of the gang's breakup over the next seven months even as the boss himself settles into an approximation of genteel retirement. But in another sense all of the movie is later than that. The very title assumes the audience's familiarity with James as a figure out of history and legend, and our awareness that he was--will be--murdered in his parlor one quiet afternoon by a backshooting crony.

The film--only the second to be made by New Zealandâ€"born writer-director Andrew Dominik--reminds us that Dominik's debut film, Ch! opper (2000), was the cunningly off-kilter portrait of ano! ther rea l-life criminal psychopath who became a kind of rock star to his society. The Jesse James of this telling is no Robin Hood robbing the rich to give to the poor, and that train robbery we witness is punctuated by acts of gratuitous brutality, not gallantry. Nineteen-year-old Bob Ford (Casey Affleck) seeks to join the James gang out of hero worship stoked by the dime novels he secretes under his bed, but his glam hero (Brad Pitt) is a monster who takes private glee in infecting his accomplices with his own paranoia, then murdering them for it. In the careful orchestration of James's final moments, there's even a hint that he takes satisfaction in his own demise.

Affleck and Pitt (who co-produced with Ridley Scott, among others) are mesmerizing in the title roles, but the movie is enriched by an exceptional supporting cast: Sam Shepard as Jesse's older, more stable brother Frank; Sam Rockwell as Bob Ford's own brother Charlie, whose post-assassination descent into madness i! s astonishing to behold; Paul Schneider, Garret Dillahunt, and Jeremy Renner as three variously doomed gang members; and Mary-Louise Parker, who as Jesse's wife Zee has few lines yet manages with looks and body language to invoke a wellnigh-novelistic backstory for herself. There are also electrifying cameos by James Carville, doing solid actorly work as the governor of Missouri; Ted Levine, as a lawman of antic spirit; and Nick Cave, composer of the film's score (with Warren Ellis) and screenwriter of the Aussie "Western" The Proposition, suddenly towering over a late scene to perform the folk song that set the terms for the book and movie's title.

Still, the real costar is Roger Deakins, probably the finest cinematographer at work today. The landscapes of the movie (mostly in Alberta and Manitoba) will linger in the memory as long as the distinctive faces, and we seem to feel the sting of its snows on our cheeks. Interior scenes are equally persuasive. Few West! erns have conveyed so tangibly the bleakness and austerity of ! the spac es people of the frontier called home, and sought in vain to warm with human spirit. --Richard T. Jameson

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