Creation [Blu-Ray]

• UK Import
• Region-Free
• Blu-ray

From director Jon Amiel ("The Singing Detective," ENTRAPMENT) and writer John Collee (MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD) comes CREATION. A psychological, heart-wrenching love story starring Paul Bettany (A BEAUTIFUL MIND, MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD) as Charles Darwin, the film is based on “Annie’s Box,” a biography penned by Darwin’s great-great-grandson Randal Keynes using personal letters and diaries of the Darwin family. We take a unique and inside look at Darwin, his family and his love for his deeply religious wife, played by Jennifer Connelly (A BEAUTIFUL MIND, REQUIEM FOR A DREAM), as, torn between faith and science, Darwin struggles to finish his legendary book “On the Origin of Species,” which goes on to become the foundation for evolutionary biology. The film co-stars Toby Jones (FROST/NIX! ON, INFAMOUS) and Jeremy Northam (GOSFORD PARK, AMISTAD), and was produced by Jeremy Thomas (THE LAST EMPEROR, SEXY BEAST) at Recorded Picture Company with BBC Films and Ocean Pictures.More than 150 years after its publication, Charles Darwin's On the Origin of Species and its theory of natural selection remain the subject of much debate; the divide between those who accept Darwin's ideas as incontrovertible science and those who consider them blasphemous may be wider now than ever. Released in 2009, director Jon Amiel's Creation goes right to the heart of the matter--indeed, right to the heart of Darwin himself. As portrayed by Paul Bettany, the Darwin who has returned to England following his voyage aboard HMS Beagle is a man for whom "deeply conflicted" is a barely adequate description. Well aware his theory is "perhaps the most powerful idea ever to occur to a human mind," he is caught between the scientists who insist that he has "killed God" and t! he religious conservatives, including his wife Emma (Jennifer ! Connelly ), who counter that his very soul will be in peril if he finishes and publishes his book. What's more, he is haunted, sometimes literally, by the death of his favorite child, Annie (seen in frequent flashbacks), and its effect on his marriage--in fact, it is this personal angle that dominates the film. But while the toll his work has taken on his health, his faith, his family, and his very sanity is obvious, he also knows that it is far too important to ignore. Creation is not a documentary; liberties have been taken, and there are multiple sequences, including Darwin's nightmarish fever dreams, that are clearly the invention of the filmmakers. But Bettany and Connelly, who are a real-life couple, are both superb; the cinematography is gorgeous; and various scenes illustrating the notion of "survival of the fittest" in nature are riveting (there won't be a dry eye in the house when Darwin tells his dying daughter about the fate of an orangutan captured in Borneo). And! while the tone of the film would seem to favor science over religion, the DVD includes numerous bonus features in which both sides have their say. This one is not to be missed. --Sam Graham

Stills from Creation (Click for larger image) Real-life couple Paul Bettany and Jennifer Connelly star as Charles Darwin and his wife in this biographical drama. Set before the publication of "On The Origin Of Species", 'Creation' finds Darwin grieving over the death of his daughter and feeling far away from his wife.More than 150 years after its publication, Charles Darwin's On the Origin of Species and its theory of natural selection remain the subject of much debate; the divide between those who accept Darwin's ideas as incontrovertible science and those who consider them blasphemous may be wider now than ever. Released in 2009, director Jon Amiel's Creation goes right to the heart of the matter--indeed, right to the heart of Darwin himself. As portrayed by Paul Bettany, the Darwin who has returned to England following his voyage aboard HMS Beagle is a man for whom "deeply conflicted" is a barely adequate descr! iption. Well aware his theory is "perhaps the most powerful idea ever to occur to a human mind," he is caught between the scientists who insist that he has "killed God" and the religious conservatives, including his wife Emma (Jennifer Connelly), who counter that his very soul will be in peril if he finishes and publishes his book. What's more, he is haunted, sometimes literally, by the death of his favorite child, Annie (seen in frequent flashbacks), and its effect on his marriage--in fact, it is this personal angle that dominates the film. But while the toll his work has taken on his health, his faith, his family, and his very sanity is obvious, he also knows that it is far too important to ignore. Creation is not a documentary; liberties have been taken, and there are multiple sequences, including Darwin's nightmarish fever dreams, that are clearly the invention of the filmmakers. But Bettany and Connelly, who are a real-life couple, are both superb; the cinematog! raphy is gorgeous; and various scenes illustrating the notion ! of "surv ival of the fittest" in nature are riveting (there won't be a dry eye in the house when Darwin tells his dying daughter about the fate of an orangutan captured in Borneo). And while the tone of the film would seem to favor science over religion, the DVD includes numerous bonus features in which both sides have their say. This one is not to be missed. --Sam Graham

Stills from Creation (Click for larger image)

Delorean Back To The Future, Part III

• 1:24 Scale Diecast Metal
• Opening Doors and moving parts

THE BRAVE MARTY & CRAZY DOC ARE BACK IN THE WILD WEST FOR THEIR FINAL ADVENTURE.Shot back-to-back with Back to the Future II, this final chapter in the series is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Michael J. Fox's character ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of a gunman. Director Robert Zemeckis successfully blends exciting special effects with the traditions of a Western, and comes up with something original and fun. --Tom Keogh Shot back-to-back with Back to the Future II, this final chapter in the series is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Michael J. Fox's character ends up in t! he Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of a gunman. Director Robert Zemeckis successfully blends exciting special effects with the traditions of a Western, and comes up with something original and fun. --Tom Keogh This highly realistic 1:24 scale diecast metal replica from the Universal Studios movie Back To The Future Part 3 is 7 inches long and comes with fine details such as opening doors and adjustable steering.

Far From Heaven (Blu-ray)

• Far From Heaven (Blu-ray)
• Far From Heaven
• James Rebhorn,Dennis Haysbert
• Dennis Quaid,Julianne Moore
• Drama, romance

Cathy and Frank Whitaker, a seemingly perfect fifties' couple face the breakdown of their marriage because of conflicting desires.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 24-AUG-2004
Media Type: DVDThis uniquely beautiful film--from one of the smartest and most idiosyncratic of contemporary directors, Todd Haynes (Safe, Velvet Goldmine)--takes the lush 1950s visual style of so-called women's pictures (particularly those of Douglas Sirk, director of Imitation of Life and Magnificent Obsession) to tell a story that mixes both sexual and racial prejudice. Julianne Moore, an amazing fusion of vulnerability and will power, plays a housewife whose husband (Dennis Quai! d) has a secret gay life. When she finds solace in the company of a black gardener (Dennis Haysbert), rumors and peer pressure destroy any chance she has at happiness. It's astonishing how a movie with such a stylized veneer can be so emotionally compelling; the cast and filmmakers have such an impeccable command of the look and feel of the genre that every moment is simultaneously artificial and deeply felt. Far from Heaven is ingenious and completely engrossing. --Bret FetzerJulianne Moore (Hannibal, Boogie Nights) and Dennis Quaid (The Rookie,Frequency) star in this seductive story of a seemingly perfect family, and the forbidden desires that threaten to tear them apart. Cathy Whitaker (Moore) has it allùa lovely home, two wonderful children and a handsome husband(Quaid), who is successfully climbing the corporate ladder. But Cathy's idyllic existence is just an illusion, and she is eventually forced to choose between living a lie or following her heart. Academy Award« nominee* Moore is a vision, declared Rex Reed, and he called Quaid's performance the best of his career, in this stunning drama hailed by the NewYork Post as one of the year's best.

Alice in Wonderland

• Size approx 14" from head to feet
• officially licensed Disney plush doll

Alice In Wonderland - The Classic by Lewis CarrollSource of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without! moral or sense.

For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie CoulterTumble down the rabbit hole with Alice for a fantastical new adventure from Walt Disney Pictures and Tim Burton. Inviting and magical, Alice In Wonderland is an imaginative new twist on one of the most beloved stories of all time. Alice (Mia Wasikowska), now 19 years old, returns to the whimsical world she first entered as a chil! d and embarks on a journey to discover her true destiny. This ! Wonderla nd is a world beyond your imagination and unlike anything you ve seen before. The extraordinary characters you ve loved come to life richer and more colorful than ever. There s the Mad Hatter (Johnny Depp), the White Queen (Anne Hathaway), the Red Queen (Helena Bonham Carter), the White Rabbit (Michael Sheen) and more. A triumphant cinematic experience Alice In Wonderland is an incredible feast for your eyes, ears and heart that will captivate audiences of all sizes.Tim Burton was born to bring Alice in Wonderland to the big screen. Ironically, his version of the Victorian text plays more like The Wizard of Oz than a Lewis Carroll adaptation. On the day of her engagement party, the 19-year-old Alice (a nicely understated Mia Wasikowska) is lead by a white-gloved rabbit to an alternate reality that looks strangely familiar--she's been dreaming about it since she was 6 years old. Stranded in a hall of doors, she sips from a potion that makes her shrink and nibble! s on a cake that makes her grow. Once she gets the balance right, she walks through the door that leads her to Tweedledum and Tweedledee (Matt Lucas), the Dormouse (Barbara Windsor), the Blue Caterpillar (Alan Rickman), and the Cheshire Cat (a delightful Stephen Fry), who inform her that only she can free them from the wrath of the Red Queen (Helena Bonham Carter channeling Bette Davis) by slaying the Jabberwocky. To pull off the feat, she teams up with the Mad Hatter (Johnny Depp in glam-rock garb), rebel bloodhound Bayard (Timothy Spall), and Red's sweet sister, the White Queen (Anne Hathaway in goth-rock makeup). While Red welcomes Alice with open arms, she plans an execution for the hat-maker when he displeases her ("Off with his head!"). Drawing from Alice's Adventures in Wonderland and Through the Looking-Glass, Burton creates a candy-colored action-adventure tale with a feminist twist. If it drags towards the end, his 3-D extravaganza still offers a tri! ppy good time with a poignant aftertaste. --Kathleen C. Fen! nessy

Stills from Alice in Wonderland

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Four Film Favorites: Chris Tucker Collection (Rush Hour / Rush Hour 2 / Rush Hour 3 / Money Talks)

• RUSH HOUR, RUSH HOUR 2, RUSH HOUR 3, and MONEY TALKS Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 794043135156 UPC: 794043135156 Manufacturer No: 1000103562

Ice Cube and Mike Epps are the driving force of this high style, high impact, action/comedy. One's a top dog bounty hunter, the other a two-bit hustler. Add to the mix a botched diamond heist, a lost sinning lottery ticket, and one thing becomes clear...that it's All About the Benjamins. Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, ! and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisTitles include: Friday, Next Friday, Friday After Next, All About The Benjamins Friday
Friday is the rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on h! is day off. Then unknown Chris Tucker plays Smokey, a marijua! na-worsh ipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown

Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out to get revenge. To protect Craig, Craig's father (John Witherspoon) sends his son to stay with his Uncle Elroy (Don "DC" Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the sub! urbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines--though funny lines abound. He writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughly enjoyable. --Bret Fetzer

Friday After Next
Ice Cube (Barbershop) uses his relaxed, raffish ch! arm to glide through the third movie in his Friday s! eries. A s Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret Fetzer

All About the Benjamins
Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get i! t?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisIce Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top ! of Bucum's list to boot. Yep, you guessed it: tough guy/funny ! guy budd y flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisIce Cube and Mike Epps are the driving force of this high style, high impact, action/comedy. One's a top dog bounty hunter, the other a two-bit hustler. Add to the mix a botched diamond heist, a lost sinning lottery ticket, and one thing becomes clear...that it's All About the Benjamins. Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike E! pps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisMONEY TALKS - DVD MovieThis formulaic 1997 comedy becomes needlessly complicated at points but feeds off the high energy of Chris Tucker (The Fifth Element, Rush Hour). Tucker plays a two-bit con man, Franklin Hatchett, framed for the prison breakout of a ruthless c! riminal. Hunted by both the police and the bad guys, Hatchett ! finds hi s only hope in a smarmy, self-serving television reporter played by the perfectly cast Charlie Sheen (Platoon), who agrees to protect the nervous, hapless patsy only to further his own career. The plot is at times just plain dumb, and the requisite car chases and explosions happen a bit too frequently. But Tucker's manic energy and off-the-wall humor, as he is thrown into situations of mistaken identity and mortal danger, make the movie a frenetic and entertaining romp. --Robert Lane 4 FILM FAVORITES:CHRIS TUCKER COLLECT - DVD Movie

The East Is Red: Swordsman III (HD Remastered Edition) DVD

• 1 disc package (region 0 NTSC)
• HD Remastered Edition
• English and Chinese (removable) subtitles

Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.\n "East I! s East" is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making "East Is East" a tremendously fun film. "--Jenny Brown"Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri),! father of seven unruly moppets and husband to a willful Briti! sh wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film ta! kes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownA young Japanese seaman jumps ship off the coast of Georgia and washes ashore on a barrier island inhabited by a strange mix of rednecks, descendents of slaves, genteel retired people, and a colony of artists. The result is a sexy, savagely hilarious tragicomedy of thwarted expectations, mistaken identity, love, jealousy and betrayal. "An absolutely stunning work, full of brilliant cross-cultural insights."--The New York Times Book Review.Manchester in 1971 is not the id! eal time and place to raise a proper Pakistani family. But Geo! rge Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the! children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownManchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversi! al?--works of art; Tariq (Jimi Mistry), the mod boy who lives ! for disc os and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he met! amorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownRe-issue of this intensely likeable best-selling comedy to coincide with extensive nationwide tour from Sept 05 to April 06. In Salford 1970: the Khan children, caught between bell-bottoms and arranged marriages, are buffeted this way and that by their Pakistani father's insistence on tradition, their English mother's laissez-faire and their own wish to be citizens of the modern world. Successfully filmed, after a rags-to-riches stage career that began in Birmingham in 1996, went on to a London premiere at the Royal Court, and culminated in the West End, "East is East" is a firm favourite with schools and theatres alike. It is one of NHB's top ten best-selling plays.Manchester in 1971 is not the ideal time and place to raise a proper Pakistani fa! mily. But George Khan (Om Puri), father of seven unruly moppet! s and hu sband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every! laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownAsia the Invincible, the demon who metamorphosized into a woman in Swordsman II, was thought dead at the end of the previous adventure. Navy Official Koo discovers her in her old hideout, and tells her that many have been assuming her name and forming cults. Knowing this division will destroy the country, she vows to destroy them all. She finds that her former lover, Snow, is also one of the imposters. What begins as a patriotic endeavor s! oon becomes a bloodbath as her destructive nature consumes her! . Unable to control her fury, she unleashes her powers on Snow and Koo. In her final battle with Koo, she kills him as well as Snow. Once again, she retires from the world.

Bridge on the River Kwai - Laminated Movie Poster - 11 x 17 Inch (28cm x 44cm)

• You are looking at a beautiful, professionally laminated poster.
• Lamination is a cost effective way to extend the life of your print or poster.
• Rolled and shipped in a sturdy tube.
• Clear lamination is an effective solution for protecting your print or poster from fading, dirt, fingerprints, moisture, bends, tears and rips.
• This poster is from Bridge on the River Kwai (1958)

Spectacularly produced, and the winner of seven Academy Awards® (1957), including Best Picture, Best Director, and Best Actor (Alec Guinness), The Bridge on the River Kwai continues to be one of the most memorable cinematic experiences of all time. Now, for the first time on Blu-ray, following an extensive all-new 4K digital restoration from the original negative, with newly restored 5.1 audio, experience director David Lean's masterpiece as you never have before.
Director! David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre.

The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge. His clash of wills with a British prisoner, the charismatic Colonel Nicholson (Alec Guinness), escalates into a duel of honor, Nicholson defying his captor's demands to win concessions for his troops. How the two officers reach a compromise, and Nicholson becomes obsessed with building that bridge, provides the story's thematic spine; the parallel movement of a team of commandos dispatched to stop the project, led by a British major (Jack Hawkins) and guided by an Ame! rican escapee (William Holden), supplies the story's suspense ! and forw ard momentum.

Shot on location in Sri Lanka, Kwai moves with a careful, even deliberate pace that survivors of latter-day, high-concept blockbusters might find lulling--Lean doesn't pander to attention deficit disorders with an explosion every 15 minutes. Instead, he guides us toward the intersection of the two plots, accruing remarkable character details through extraordinary performances. Hayakawa's cruel camp commander is gradually revealed as a victim of his own sense of honor, Holden's callow opportunist proves heroic without softening his nihilistic edge, and Guinness (who won a Best Actor Oscar, one of the production's seven wins) disappears as only he can into Nicholson's brittle, duty-driven, delusional psychosis. His final glimpse of self-knowledge remains an astonishing moment--story, character, and image coalescing with explosive impact.

Like Lean's Lawrence of Arabia, The Bridge on the River Kwai has been beautifully restored! and released in a highly recommended widescreen version that preserves its original aspect ratio. --Sam Sutherland

Stills from The Bridge on the River Kwai (click for larger image)

Beyond The Bridge on the River Kwai

The David Lean Collection

WWII 60th Anniversary Collection

The True Story of the Bridge on the River Kwai (History Channel)

Director David Lean's masterful 1957 realization of PierreBoulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The! Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre.

The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge. His clash of wills with a British prisoner, the charismatic Colonel Nicholson (Alec Guinness), escalates into a duel of honor, Nicholson defying his captor's demands to win concessions for his troops. How the two officers reach a compromise, and Nicholson becomes obsessed with building that bridge, provides the story's thematic spine; the parallel movement of a team of commandos dispatched to stop the project, led by a British major (Jack Hawkins) and guided by an American escapee (William Holden), supplies the story's suspense and forward momentum.

Shot on location in Sri Lanka, Kwai moves with a careful, even deliberate pace that survivo! rs of latter-day, high-concept blockbusters might find lulling! --Lean d oesn't pander to attention deficit disorders with an explosion every 15 minutes. Instead, he guides us toward the intersection of the two plots, accruing remarkable character details through extraordinary performances. Hayakawa's cruel camp commander is gradually revealed as a victim of his own sense of honor, Holden's callow opportunist proves heroic without softening his nihilistic edge, and Guinness (who won a Best Actor Oscar, one of the production's seven wins) disappears as only he can into Nicholson's brittle, duty-driven, delusional psychosis. His final glimpse of self-knowledge remains an astonishing moment--story, character, and image coalescing with explosive impact.

Like Lean's Lawrence of Arabia, The Bridge on the River Kwai has been beautifully restored and released in a highly recommended widescreen version that preserves its original aspect ratio. --Sam SutherlandLed in great part by Mitch Miller's recording of "The River Kwai March/Co! lonel Bogey March," this soundtrack became part of the mass-consciousness of the 1950s and following decades. The infectious and defiant whistling of the British prisoners of war is only one aspect of the film, though, standing alongside a score by Malcolm Arnold that (although winning an Academy Award) became overshadowed by Miller's commercial success. Often wading in folly as much as doom, Arnold views the adversities and will of the POWs in a way akin to Mickey's battle with the brooms in Fantasia. "Shear's Escape" floats in the life-and-death realism of the situation yet seems to find the playfulness and romantic abandon of a walk through a forest. "Overture," in its simultaneously laborious and stirring tones, prefers the stark representation of menace and captivity, orchestral sections battling one another as they search for a means of escape yet, in the end, find they must submit. And standing among it all is K. Alford's "Colonel Bogey March," the whistling ! tribute to another Disney film score that has always seemed to! allevia te even the worst days of drudgery at a cruel job. --James StockstillMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.